One Old City · Two Underground Narratives

Changsha Underground Stories

Tufuzi and Mawangdui: two routes into Changsha's buried past.

Through the Gate

Prologue Beneath the Gate

CHAPTER 00 · THE OLD CITY

A Map That Descends Into Old Changsha

Follow the Xiang River and the old city gates through three layers: the city above, the world below, and the stories that remain.

The map is used as a narrative guide rather than a precise archaeological reconstruction.

CHAPTER 01 · PEOPLE WHO READ THE EARTH

Readers of the Earth

In stories of old Changsha, experience, local knowledge, antiquities and legend formed another way of understanding what might exist beneath the ground.

Illustration of Tufuzi and old Changsha TUFUZI · OLD CHANGSHA
The figure of the “Tufuzi” belongs to a complicated mixture of local memory, oral accounts and stories surrounding Changsha's underground past.

01 / THE NAME

Where Did the Name Begin?

Different accounts describe the name in different ways. Stories overlap, change in retelling and sometimes contradict one another.

L · LEGEND

02 / OBSERVATION

What Does the Earth Reveal?

Terrain, soil, place names and accumulated local experience could become clues for people attempting to understand what was hidden underground.

O · ORAL HISTORY

03 / CIRCULATION

When Objects Leave the Earth

Once an object is separated from its original location, relationships between the object, the burial and surrounding remains may also disappear.

F · HISTORICAL CLUE

When an object leaves the earth, part of its original context may leave with it.

TWO UNDERGROUND NARRATIVES

Two Ways of Reading What Lies Below

THE FOLK PATH

Experience · Memory · Legend

Knowledge passes through observation and storytelling. Meanings can change as stories move from one person and one generation to another.

THE ARCHAEOLOGICAL PATH

Layers · Records · Context

Archaeological work records where remains are found and studies their relationships to layers, structures and surrounding objects.

Continue underground ↓
Mawangdui lacquer artifact

MAWANGDUI · CHANGSHA

1972—1974

Three Western Han tombs · one archaeological record

FIELD RECORD / TOMB NO. 1

Read the earth, layer by layer

Surface · modern Changsha
Burial mound · soil layers
White clay · charcoal
Burial chamber · nested coffins
Burial objects · recorded in place

Each layer anchors the objects to a place and moment.

MAWANGDUI / OBJECT REGISTER

A life in objects

01 Lacquerware

Food, vessels & feasting

02 Plain gauze robe

Textiles, craft & the body

03 Wooden figures

Music, attendants & ritual

04 Silk manuscripts

Learning, medicine & ideas

CHAPTER 03 · THE EXCAVATION

Three Han
Tombs

From 1972 to 1974, archaeologists excavated three Western Han tombs at Mawangdui. The mound became a record of people, objects, and burial practice.

Explore the Three Tombs →

TOMB NO. 1 · BENEATH THE MOUND

Read the
Sealed
Layers

In Tomb No. 1, white clay, charcoal, and nested coffins formed a carefully sealed burial. Recording their positions preserved the context of each find.

Inspect the Tomb Layers →

THE FINDS · A WESTERN HAN ARCHIVE

Objects as
Evidence

Lacquerware, gauze garments, wooden figures, and manuscripts open a view of food, dress, ritual, and knowledge in early Han Changsha.

Open the Artifact Archive →

FINAL ARCHIVE

Two Stories Beneath One City

Changsha's underground past can be approached through stories and through archaeological evidence. The two paths do not work in the same way, but both shape how the buried city is remembered.

L

LEGEND

Folk Memory

Stories preserve impressions, experiences and mysteries surrounding the old city.

F

FACT

Archaeological Record

Excavation preserves relationships between layers, locations, structures and objects.

A

ARTIFACT

Material Evidence

Objects reconnect the present with lives that existed in Changsha more than two thousand years ago.

Above ground, Changsha continues to change. Below ground, different kinds of evidence remain.

To understand the city, we have to ask not only what was found, but also how we know.

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